In 2002, after the release of my book on Pasolini's "Salò or the 120 Days of Sodoma", with the Press Lindau I took agreements to write a book on Luis Buñuel 's movies. After some months, we quitted the project, but I had already wrote the first part of the book, following the editorial lines given by the Press: his french and spanish years, just before leaving Europe for America in conseuquence of his political committtment with the Surrealist Movement close to Communist Party.